Thursday, August 9, 2012

Review: Ruby Sparks


A realistic and honest portrayal of a metaphysical story.


Ruby Sparks, the first feature film written by Zoe Kazan, granddaughter of legendary film director Elia Kazan, is an entertaining and thought provoking exploration of the slightly beyond belief story of what would happen if you manifested a person into existence. It’s Weird Science but philosophical. The film is directed by Jonathan Dayton and Valerie Faris, whose previous effort Little Miss Sunshine, went on to garner four academy award nominations including Best Film. It won two for Best Original Screenplay and Best Supporting actor.
            Calvin is a 29 year-old writer living in Los Angeles. While still in high school he wrote a novel, widely considered by the literary community as an American classic. It was also a financial windfall, which has paid for his beautiful Hollywood Hills home. Since then, his writing has been a little stagnant and he’s not quite penned that second novel. It’s been ten years. As he struggles with his own personal neuroses, like any good writer I’m assuming, he begins having dreams of a girl his he calls Ruby Sparks. He becomes so fascinated with her it spurs him to begin writing again. She will be his heroine. One day, small signs begin to intrude into Calvin’s life that indicate Ruby Sparks, his imagined character, may actually have come to life. This sends him into a tailspin as he tries to cope with what he believes must be a psychotic snap. That particular scene is telling of the entire film. It is played for laughs, but written within the real context of how a sane man would respond to a possible hallucination. There are no cheesy moments here, just an honest portrayal of how this might occur. Ruby, for her part, believes she is living a normal life. To her, she’s always existed and Calvin is her boyfriend. The movie then delves deep into the psyche of a relationship conceived by one person that is decidedly lopsided in his favor. It straddles the line between romantic comedy, heartfelt drama and the possible “what if” scenarios of such an out there plot.  
            Calvin is your typical manic, possibly depressive writer, but played with a charm and innocence that makes him affable at all times. His flaws, most of which revolve around his interactions with others, are powerful enough to make us want to see him grow into a stronger version of himself. You will be on board, hook line and sinker. Ruby (Kazan) is remarkable. She’s not a one trick pony fantasy girl by any stretch of the imagination. She is honest, flawed, scared, and adorable all rolled into one. Her story becomes the powerful backbone of the film when the question is broached, “what happens when the fantasy relationship becomes real”. Ruby becomes a real person regardless of her possibly being manifested into existence. She has wants and needs, and since Calvin’s issues don’t magically resolve themselves, tremendous conflict is born.
            The ending can be slightly odd and you’ll most definitely be in analysis mode for 10 minutes after the credits roll, but it does not detract from the story in the least bit. I enjoyed tremendously the true to life telling of this imaginative plot and think it’s sure to garner high praise.

Ruby Sparks is currently in theaters. (August 2012)

Friday, August 3, 2012

New In Theaters (August 3rd, 2012): Diary of a Wimpy Kid, Total Recall, 360 and more...

It's remake time! Total Recall is being updated for 2012 with some high end special effects and a healthy budget. This story is a remake of the 1990 classic, rather than a reboot of a franchise, and unfortunately, these efforts tend to fall slightly flat as they veer only mildly away from the original story. Here's to hoping it surprises.

For some kids fun, the next installment of Diary of a Wimpy Kid (based on the series of books by Jeff Kinney) is set to storm the theaters, or possibly light drizzle its way through.  I've not seen the first two films, and so I'm not an authority on whether it deserved a third installment, but kudos for completing the trilogy. I do like to see things in three's.

360 is the story of several intertwining relationships directed by acclaimed Brazilian director Fernando Meirelles. He is the creative force behind "City of God" and "The Constant Gardener" and although this time out, he's not garnering the greatest reviews, it may still be worth the watch.

Total Recall (Sony/Columbia)
Directed by: Len Wiseman


And for your throwback pleasure....



360 (Magnolia) - Limited Release
Directed by Fernando Meirelles


Also in Theaters:

Diary of a Wimpy Kid: Dog Days  (Fox) - Wide Release
Directed by David Bowers

The Baby Makers (Millennium Entertainment)
Directed by Jay Chandrasekhar

Celeste & Jesse Forever (Sony Classics) - Limited Release in NYC & LA
Directed by Lee Toland Krieger 

Soldiers of Fortune (Roadside Attractions)
Directed by Maksim Korostyshevsky

Thursday, August 2, 2012

Review: Killer Joe

Violent and Raw. An interesting spin on murder-for-hire. 

 

Killer Joe, the newest feature from long time director Wiliam Friedkin (The French Connection, The Exorcist), is a dark twisted murder-for-hire film set in Texas. Chris Smith (Emile Hirsch), in debt to a cartel for some unpaid drugs, finds himself in a desperate situation. His idea, hire “Killer” Joe Cooper, a Dallas police detective who murders on the side, to kill his mother and then collect the insurance money. Chris is a bumbling fool, his father is a complete wimp, his sister is a virginal oddity, and his stepmother is a typical, balls to the wall southern waitress. As with any murder-for-hire story, fictional or otherwise, things don’t go exactly according to plan.
            A little bit of controversy surrounded this movie regarding it’s NC-17 rating. It’s an instant cash killer and drives people from a movie faster than the plague. If you can make some edits and get that down to an R-rating, you stand a better chance of turning a profit. LD Entertainment opted out of that and released the film in its uncut, original version. It keeps the authenticity of the story intact but did garner four walkouts in my viewing. The final scene was the straw that broke the camels back for a group of 4 who saw what was coming and darted.
            The first ten minutes of “Joe” is one long conversation. Just when you think it’s over, it moves locations. I began to worry the entire movie would be one long drawn out series of conversations. I imagined two guys in front of a green screen with changing backdrops, chatting casually about their plan to kill somebody. Thankfully, it got better.  The story is propelled forward by the arrival of Joe Cooper (McConaughey), a seemingly sociopathic killer who never breaks a stoic cold-faced persona. The intriguing quality of Joe Cooper is the guessing game of how depraved he actually is. How far he’s willing to slip off the insane deep end. Watching with a sense of impending disaster, you’re simply waiting for the anvil to drop on this guy’s true madness.
            You’d be safe to call this film an ensemble piece. Neither Joe Cooper, the killer or Chris Smith, the guy who hires him, ever really take the baton as the lead. They have an antagonistic relationship to be sure, but it’s not set up in the classic – “We love this guy, and hate that guy” way. They share an equal amount of screen time but even though Chris is seemingly the nicer guy, he’s still plotting murder. His sister is too strange to garner any affection from us, the stepmother is a one trick character, and the father, a sort of loveable loser, may be the most sympathetic character of all.
This is a well-crafted story that makes strong choices but has the feeling of slipping and sliding it’s way to its finale. You’ll scratch your head at a few scenes, and worry it’s about to derail a couple of times, but in the end, it keeps pace and sees itself through. I would recommend it for the adventurous moviegoer.
            About that NC-17 rating one more time. It is well deserved and there are two scenes that are not for the squeamish. Either scene could have been toned down slightly and easily shifted this film into R territory. Once you see them, a mix of sexual fetish and brutality, you will see them replayed over in your head many times.

Killer Joe is currently in limited release. (August 2012).

Friday, July 27, 2012

New In Theaters (July 27, 2012): The Watch, Killer Joe, Ruby Sparks and more...

I've been looking forward to The Watch starring Ben Stiller, Vince Vaughan, and Jonah Hill for a while now. A group of neighbors create a neighborhood watch to fight against an alien invasion. What could be funnier? Written by Seth Rogen and Evan Goldberg (Pineapple Express, Superbad), let's keep our fingers crossed this one hits all the right marks.
Killer Joe is an indie starring Matthew McConaughey & Emile Hirsch. It's about a young man who hires a hit man to take out his evil mother and collect on her life insurance. It's a dark comedy/thriller with an NC-17 rating, which will hold it back at the box office, but could make for powerful storytelling.


The Watch (Fox)
Directed by Akiva Schaffer



Killer Joe (LD Entertainment)
Directed by William Friedkin



Also in Theaters:

Ruby Sparks (Fox Searchlight)
Directed by Jonathan Dayton and Valerie Faris

Step Up Revolution (Summit Entertainment)
Directed by  Scott Speer

Ai Weiwei: Never Sorry (IFC) (Foreign) - Limited Release
Directed by Alison Klayman

Klown (Drafthouse) (Foreign) - Limited Release
Directed by Mikkel Norgaard

Sacrifice (Samuel Goldwyn) (Foreignt) - Limited Release
Directed by Kaige Chen

Searching for Sugar Man (Sony Classics) (Documentary) - Limited Release
Directed by Malik Bendjelloul

Thursday, July 26, 2012

Review: Tiny Furniture


Dialogue heavy and story light, Tiny Furniture never fully gets rolling.



Tiny Furniture is the first feature length offering from now famous writer/director Lena Dunham. She’s gone on to star in/write and be the creative force behind HBO’s wildly popular “Girls”.
       Aura, an early twenties Manhattanite, returns home from an arts college in Ohio after graduation. She’s a bit of a lost youth bouncing from one thing to another, trying to find her place in the world. Moving back in with her highly successful artist mother (she photographs tiny furniture) and her over achieving younger sister, she struggles to define herself. Sound like an edge of your seat thrill ride? The entire film feels like one long drawn out conversation you accidentally stumbled into. So what have you been up to”, I ask. She replies “Oh, not much. I just got home from college and I’m living with my mom. She’s totally mean to me. I got a job at a restaurant. It sucks. And there are a couple of guys I have a crush on. So that might be fun”. Ladies and gentlemen, that is Tiny Furniture in a nutshell. You wait and wait and wait for something to happen and as it inches forward you’re begging it to do something, anything. But alas, it will not. It forges ahead completely unaware or worst, apathetic to your wants and needs.
            With a flaw that large, at least in my view, you might be surprised that I enjoyed the film…enough. Dunham could teach a master class on how to write engaging dialogue, quirky scenes and interesting characters. Each scene flows beautifully and she has a tremendous knack for ending them on the perfect note. Nothing feels forced and that’s a defining reason why I still enjoyed it. Aura, the lead, is funny and witty with a melancholy that makes her sympathetic and likeable. The guys she longs for are not any type of prototypical love interest. They are complicated and secretive with motivations that keep us in the dark throughout the story. It bounces from one enjoyable exchange to another and keeps you immersed in the hipster world it creates at all times.
            I am not a fan of “talkies” or the “mumblecore” movement. I honestly feel the best stories are told when you say “it was a normal day and then”. But all kudos must be sent Dunham’s way for a well crafted, crisply written indie film.

Tiny Furniture is now on DVD. (Aug 2012).

Friday, July 20, 2012

New In Theaters (July 20, 2012): The Dark Knight Rises, Queen of Versailles and more...

A somewhat light week for releases, most likely because of the impending dominance of the one major release, The Dark Knight Rises. Christopher Nolan ends his trilogy in what is sure to be a powerhouse movie. He's yet to disappoint.
If you're in the mood for a documentary, The Queen of Versailles is getting it's fair share of attention. It documents the collapse of billionaire David Siegel's timeshare company, while he attempts to build the most expensive home in US history. Mr. Siegel has claimed "collapse" is a strong word and his fortune is still completely intact... it was just a rough 2008.

The Dark Knight Rises (Warner Bros)
Directed by Christopher Nolan



The Queen of Versailles - Limited Release
Directed by Lauren Greenfield



30 Beats (Roadside Attractions) - Limited Release
Directed by Alexis Lloyd

The Well Diggers-Daughter (Kino Lorber) (Foreign) - Limited Release
Directed by Daniel Auteuil 

Thursday, July 19, 2012

Review: Easy Money (aka. Snabba Cash)


An intense exploration of European drug trafficking and one man's need to be something more.

 

 Easy Money (aka Snabba Cash) is a Swedish foreign film set in the underworld of drug trafficking in Stockholm. Yes, they have drug problems too. The film was released overseas in 2010 and picked up by The Weinstein Company for US distribution this summer, 2012. Directed by Daniel Espinosa, now better know in North America for his US directorial debut “Safe House” with Denzel Washington, it is a rugged, harsh look at what one man will do to create wealth, power and get the girl.
            JW is a business school student, impressively top of his class, at one of Stockholm’s most elite institutions. By day he drives a taxi and by night he rubs elbows with Stockholm’s youthful elite. He is a young man with talent and ambition far beyond his economic standing. To impress these new friends, a task getting more difficult by the day, and get the girl he pines for, he’ll have to start pulling in some real money.  After being offered a gig as a cocaine deliveryman, JW begins his descent or depending on perspective, ascent into the drug world of Stockholm.
            The rise and fall and possible rise again of a wide-eyed, naïve kid in the crime world, has been done a number of times. Surprisingly and to my joy, this is a fresh and inventive take on it. Based on the Swedish novel by Jens Lapidus, Espinosa has constructed a well-paced crime thriller that never verges on cheesy or self-indulgent. It follows the logical rise of a smart kid, through ploy and wits, and never resorts to huge car chases and major gun fights to keep our attention. I’m sure they were also not in the budget. What you end up with is a Michael Corleone like rise to infamy. A man who may be inching closer to his truest self with every bad choice he makes. It leans itself towards a completing engrossing story and begs a sequel. (Which is already out in Europe).
            Sit back, pop some popcorn, and enjoy a strongly written, beautifully directed piece of foreign cinema.